Sorry for that bit of radio
silence last week guys. Event registration for Gen Con, while awesome, can
often be a bit stressful even if it goes smoothly. But registration is now
complete, leaving the GIR and I to exercise patience every time we click by the
master countdown clock. Fortunately, the interim between now and the Best Four
Days in Gaming is chock-full of new titles for gaming of the electronic variety.
First on this List of Excellent Distractions is a game that has been gracing
the blog for over a year now: Transistor.
Oh come on Kel. You cosplayed as Red for crying out loud. How are you
going to be even close to objective here?
Fair question. Basically the
content of this, my formal review of the game, is rooted primarily in actually
playing whereas the impetus to cosplay as the protagonist was derived largely
from the overall premise and aesthetics of the title since the demo offered
only the barest of glimpses into the playing experience. That being said, I
won’t lie when I carried considerable expectations for this game. There was a
period last year while I was working on the costume and Supergiant Games was
silent about its development schedule that periodically spurred the mental
monologue that so many of us have had once we get attached to a title without a
firm release date. It was a lot of, “Man, those guys haven’t said anything in a
while. There’s so much hype about Transistor.
It was so fun to play the demo; I hope it actually gets made within the next
few years...or ever.”
Supergiant didn’t disappoint and
managed keep the release in the first half of this year, only a couple months
behind the March 2014 date that had been touted back at PAX East 2013. For a
studio of only 10 people, not only being remotely close to schedule but making
the release a simultaneous one for multiple platforms (PC and PS4), is no small
feat. However, sticking to a timeline would be a molehill compared to the
mountain of pressure stemming from the expectations attached to the successor
of one of the biggest indie hits of 2011/2012. Does Transistor live up to all that?
Yes, for the most part.
Is it perfect? No. Is it deeply
satisfying on both a playable and overall experiential level? Definitely.
Fans of Bastion will immediately pick up on the many macro-level
similarities: the silent protagonist, the isometric game layout, iterative
combat, and the nonlinear central narrative all feature prominently. This
doesn’t imply that Transistor is a
reskinned version of its older brother, just that Supergiant keyed in on the
elements which made Bastion work so
beautifully and worked to enhance them for the successor title.
Transistor begins en media res with protagonist Red taking custody
of the eponymous weapon, a large futuristic sword, as she desperately attempts
to flee the faceless assassins that nearly succeeded in their attempt to slay
her mere moments before. The sword speaks to Red with the voice of a dead man
(Bastion narrator Logan Cunningham), the victim of the aforementioned attack,
whose essence now lives on in the glowing blue-and-red blade. As Red continues
to flee, she is beset by the Process, a semi-sentient cybernetic army
apparently bent on her destruction.
The combat mechanics with which
you dispatch these robotic adversaries is largely what sets Transistor apart from Bastion and most other ARPGs for that
matter. The Transistor grants the player the ability to temporarily stop time
and lay out a defined plan of attack, effectively making for a combination of
real-time and turn-based strategy. You’re allowed a finite amount of moves/actions
during the stopped-time planning phase, but you can manipulate your plan as
much as you’d like before setting it into action. After you set Red on her
blindingly quick course of personal defense she becomes vulnerable for few
moments, markedly slower and unable to wield the powers of the Transistor.
While this period is literally only a few seconds in length, it can easily make
or break the course of combat. The player quickly learns that it’s invaluable
to include an escape route or the use of cover into their planning.
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| Plan your moves carefully. At higher levels there's no room for error |
While we’re on the subject of
learning curves, Transistor assumes
that the player is quick to pick up on just about everything. There is no
guidance beyond what the Transistor actually relays to you, either via its
monologue or your interaction with the ‘access point’ terminals. The latter
allows for periodic upgrades, game saves, limiter application (which we’ll get
to in a minute) and repairs. As you survive rounds of combat and make your way
through the changing cityscape of Cloudbank you both gain experience and learn
about the nefarious plot of the shadowy cabal known as the Camerata. Experience
most commonly translates into new Functions, or abilities that you can imbue
the Transistor with at the access point terminals. Each Function can assume an
active, enhancing, or passive role, allowing the player to create a completely
customizable experience each time they enter or exit combat. For example, the
basic attack Function, Crash(), can be augmented by adding the Function Bounce()
as an enhancer, which would then cause subsequent Crash() attack damage to
chain to multiple targets. There are 16 unlockable Functions, each with their
own Memory and Planning costs, and only 4 may be equipped as active skills at
one time. VentureBeat put together this handy guide of all possible combinations of Functions.
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| Every fight is very literally what you make of it. |
Limiters exist alongside
Functions as Transistor applique that you earn in the course of your
playthrough. These add-ons are the inverse of their helpful counterparts,
serving to strengthen the Process in each combat where they are used.
Wait, so Limiters make the game harder? Why would you do that?
Each Limiter comes with a
distinct in-game effect and an associated experience bonus. For example, one
Limiter might cause the Process to create more opportunities for enemies to
regenerate, but would also award the player with 2% more XP. Also, the Limiters
give the player an added degree of control over their actual playing
experience, allowing you to tailor the difficulty as you see fit.
In addition to the various
modular pieces of the Transistor, the cyberpunk city of Cloudbank reaches out
with opportunities for the player to customize his or her gameplay. There are
countless places for Red to explore, with the prolific network of the city itself
interfacing with the Transistor to offer alternately amusing and useful tidbits
about her surroundings. Players can choose whether or not to engage the
burgeoning civil disorder that threatens to push Cloudbank from precariously
controlled urban center to authoritarian dystopia (and beyond, but there will be no spoilers here). The visuals that make
Cloudbank come to life are exquisite, a rich combination of animation styles
that segregate real-time from a series of flashbacks. Furthermore, some of the
aesthetic features testify to the nature of Cloudbank itself, at one point
offering the player, as a citizen, the chance to vote on the color of the sky.
The actual pacing of the game may irk some players. After a slow start, Transistor snaps into a breathless sprint that doesn't relent until the very end. If your attention wanders elsewhere for even a few seconds, you may miss critical plot points and find yourself wondering what's going on further down the road. The third act, while still compelling, feels rushed and a bit rough when compared to the rest of the game. I agree with Rock, Paper, Shotgun's assessment that the game could have been much stronger with a few tweaks to this portion of the narrative.
Depite these shortcomings, Transistor is a stunningly beautiful and highly innovative experience that squashes any notion of Supergiant Games being a one-hit wonder and it should be considered a win for indie publishers as a whole.
Final Grade: A-/B+
