It's funny; every
semester seems to have a certain inertia to it. The first several days
following the incept of hard-won freedom are almost always met with confusion
by both my body and mind. This duo, still entrenched in study mode, are
convinced that I should be doing
something, specifically something pertaining to academia. It may take up to a
week to convince myself that I am not, in fact, procrastinating, that there's
no pre-labs or paper-writing to be done, and that it's perfectly alright to
relax. Fortunately, the blog is here to absorb my post-finals antsiness and the
timing for both the conclusion of the semester and this particular post
couldn't be better.
This past weekend was a
confluence of nerdy awesomeness on a scale rarely seen, even in the midst of
our modern Nerdissaince. We had the release of the Avengers (which was
astoundingly good and may have driven home the nail in the coffin of my
loyalties to DC), Star Wars Day, and Free Comic Day. I would gush on about the
sheer brilliance of the Avengers, but everything I'd mention has already been
covered here and here by the nerd news pros. The movie will merit several
viewings to say the least.
So it was: ([the
Avengers + Free Comic Day]*Star Wars Day)^spring semester being over = pretty
damned near perfect. With all this awesome fleeting about, I was completely
unprepared for things to get even more squee-worthy. On Saturday, the first
real piece of my costume for Gen Con 2012 arrived!
Some quick background
may help clarify that last bit. My year is effectively bifurcated, with each
approximate half orbiting a particular convention: either Gen Con or PAX East.
Though the boy and I have plans to expand our convention repertoire, ideally to
include at least one incarnation of Comic Con, our itineraries for 2012 and
2013 are comprised of just those two events. Honestly, even if it weren't for
the specter of grad school constantly looming overhead two conventions a year
would still be a solid limit.
Why? I find the 4-8
month interval between conventions (this period varies year-to-year) provides
just the right amount of time to plan a costume, procure materials, and
construct the components while also allowing for a period of trial-and-error
AND not draining my checking account simultaneously. As of late though, my
planning period has expanded considerably and my cosplay syllabus now extends
into 2014 (if that whole apocalypse thing doesn't go down in December).
Even though I'm
constantly thinking of ideas for potential costumes, it's probably 3-6 months
of actual physical work to go from brainwaves to the convention hallways with
the majority of the construction taking place in the final six weeks.
Furthermore, as I get more costuming experience under my belt, I find myself
wanting to take on increasingly elaborate pieces which, in turn, tend to take
more resources to pull off. This year's costume will be my most ambitious to
date.
You may recall my use
of the phrase 'cosplay Padawan' to describe those long-ago days of playing
make-believe and my current goings on are the work of a 'cosplay Jedi'. Well,
this metaphor is going to morph beyond the figurative in only a few months. In
honor of this year's release of Star Wars: the Old Republic (that and I'm just
obsessed with Star Wars as a whole) I'm going to cosplay as Aayla Secura at Gen
Con 2012.
Defending the Galaxy until the passing of Order 66 |
The hows and whys that
comprise the cosplay selection process will be the subject of another blog
entry. This post is the first in a series to document a costume-in-progress.
Once I figure out who
or what I want to attempt to mimic via costume I start gathering as much visual
and canonical information about that individual as possible. From there, I'll
brainstorm several different ways to pull the costume together and target which
pieces will likely take up the most time/resources or would otherwise prove
most challenging (though it's often the piece that I think will be 'super easy'
that ends up being the biggest pain in the ass).
For Aayla though, it's
fairly obvious which piece is going to be the biggest challenge: her lekku (the
head tentacles). After perusing the notes of quite a few professional and
semi-pro cosplayers who've done a twi'lek costume, I found there are really two
tried-and-true ways to pull off lekku convincingly. The first, and more common,
route is to sew a pair of lekku from nylon or cotton knit. Summer over at
Complete Wermo's Guide has an excellent tutorial on how to make your own lekku
from fabric. Some cosplayers will paint their fabric lekku with a few layers of
liquid latex which will make the tentacles feel more life-like, but will also
add weight to your headpiece.
The second method for
lekku creation is to cast a pair with latex. The eponymous Pam of Pam's Twi'lek Creations has become somewhat famous in the cosplay world (and rock star amongst
the 501st and their ilk) for pioneering the technique for casting lekku from
latex.
These two ladies helped
guide my research considerably (they are both incredibly nice) and led me to
draw the following conclusions concerning each type of lekku:
Fabric
|
Latex
|
|
Pros
|
Inexpensive, easy
to transport, can take a fair amount of abuse
|
Highly reusable,
very durable, lifelike, can hold their shape for prolonged periods
|
Cons
|
Less realistic,
limited range of available colors/textures, limited reusability, may lose
their shape after hours of wear.
|
Expensive, require
some gentle handling for transport
|
It ultimately came down
to a question of reusability. If I'm going to invest time and resources into a
costume piece I'd like to get several uses out of it if at all possible. This,
and the fact that I've wanted to be a Twi'lek since I was maybe seven years
old, led me towards the latex. Fabric is definitely the more viable option if
you're handy with a sewing machine, aren't particular about color availability,
or only plan on being a Twi'lek once or twice.
Pam's UltraCal mold for makin' lekku |
After several long, but fun, discussions with
Pam, she agreed to cast a 'rough' set of lekku for me, which is what surprised
me from the floor of our sunroom on Saturday morning. The casting process takes
3-4 weeks and is completely dependent on the meteorological conditions in Pam's
part of California. After Pam's cast dried sufficiently, she boxed up the lekku
and sent them my way. As mentioned, the set she sent me were 'rough', (i.e.
directly from the mold), and I've spent the past few days trimming off excess,
sanding down the surface, and stuffing the actual tentacles with foam so they
now hold their own shape. The bottom five inches were filled with tiny
polystyrene pellets, which keep the tips in the right shape. The middle section
of the lekku is just plain nylon pillow stuffing, which allows for flexibility
while maintaining the overall structure The top curve (where the lekku would
join with the skull) are filled with a polyfoam compound. (It's the same stuff
used inside car seats)
My sanded and stuffed lekku |
Now that the base of this
crucial component is all set for the time being (painting and finishing the
lekku will take place a few weeks from now) I'll move on to the clothing
portions of the costume. It's off to a good start though! Only 99 days until
Gen Con!
First test run! |
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