Cosplay: Suit up!

We’re rapidly approaching the three months remaining mark in our countdown to Gen Con 2014, so, since we can’t obsess over the event catalog yet, it’s about time for a costume update. I mentioned a few posts ago that the cosplay lineup for Gen Con is pretty full, which I’m downright giddy about. There are three costumes that will (hopefully) be making their debut during the Best Four Days in Gaming and all three of them utilize the basics of what will be covered in this entry. What do all these outfits have in common? All three use some sort of form-fitting bodysuit as a foundation.

Single piece suits that fit snugly to the wearer’s body are extremely common in the iconography of various nerdy properties. You see them frequently in movies, in video games, all over anime, and just about everywhere in comics. While that ubiquity sometimes curries agitation, it’s not likely that the garment is going to disappear from our collective purview any time soon. So, when considering a cosplay of any number of characters, the question of how to go about making this particular piece of clothing springs to mind. Fear not though, for it’s actually a highly surmountable challenge.

Before we get down to the fabrics and the sewing, let’s go over the various members of the bodystocking family. You’ll often hear the terms bodysuit, bodystocking, catsuit, or unitard used interchangeably, but each of those terms actually refers to a specific garment. What’s the difference? The table below lists the distinguishing characteristics of each.

Bodystockings cover the wearer’s torso and legs and may, but does not have to, conceal the arms. It differs from its siblings in that a bodystocking is usually made from sheer fabric and thus typically can’t be worn on its own.
These look a lot like their cousins, leotards. The primary differential between the two is that bodysuits are essentially onesies for adults with snaps or hooks in the crotch to allow the wearer to pull the bodysuit over their head.
This is what usually comes to mind when people think of one-piece garments. Catsuits cover both the wearer’s torso and legs, but frequently encase the arms as well. What they tend not to cover are the wearer’s head, hands, or feet.
A unitard functions almost identically to a catsuit in terms of what parts of the body are covered. However, a unitard will always have sleeves of some kind and will never feature a zipper (versus catsuits, which almost always need structural devices for closure).
From the Japanese for ‘whole body’, this garment has characteristics of both catsuits and unitards, but goes a step further and, as the name suggests, encapsulates the entire body of the wearer (even the hands, feet, and face). Zentai occasionally go by other names including RootSuits, BodySocks, or MorphSuits.
  
This post focuses primarily on making a catsuit, but only a few modifications to the steps below are needed to make a bodysuit or a unitard instead. One of the biggest deterrents that sends would-be cosplayers skittering away from catsuits is having to work with stretchy, unforgiving fabric. While stretchy fabrics merit some special consideration and, potentially, some specific tools, they’re far from impossible to work with.

The first thing you’ll need to decide is which type of fabric you’ll need for your costume. All elastic cloth falls into one of two categories: 2-way stretch and 4-way stretch. As you can probably guess, these categories describe the axes along which the fabric will extend (e.g. 2-way will only stretch either on just the horizontal or just the vertical axis, while 4-way will stretch both ways). These two types of cloth are not direct substitutes; it’s rare that you can successfully use 2-way fabric on a project that calls for 4-way, but you can usually use 4-way in endeavors that recommend 2-way.  The pattern you’re using for your specific project should explicitly list which type is needed for your garment.

Aside from stretchability, you’ll want to choose a fabric that has the right weight for what you intend it to do. Lightweight stretchy fabrics are great in that they add almost no bulk to your finished piece, but they are notoriously difficult to feed into a sewing machine. Heavier fabrics are more cooperative, but lend a definite solidity to your garment (which may or may not be what you’re going for). If you do select a lighter weight cloth, you can tack tracing paper or parchment paper to the edges with straight pins to keep it from sliding around your work space.


A little while back I mentioned that one of the three costumes that will be making its way to Gen Con is Mera of DC and Atlantis/Dimension Aqua fame. While I'm still plugging away at making a scalemail version of her gorgeous green scaly body covering, I want to have a solid backup plan in case that design doesn't turn out as planned, runs behind schedule, and/or I run out of scales. The other portions of the Mera costume, namely her crown and trident, will be covered in another post.

Thanks to the magic of the interwebs, there is a diverse selection of fun fabrics and versatile patterns available for your costuming needs. The base of my catsuit is this holographic spandex in kelly green and I used Kwik-Sew #3052 as my primary template. Not gonna lie to you guys, the pattern is borderline vintage and can be tough to track down. Kwik-Sew does have some excellent patterns for this purpose though (2722 and 2108 are excellent) and, since it's the same company, all the pieces of their patterns can be interchanged so you can make them modular if there's no one pattern that meets your needs. If you're keen on making your own catsuits, this site offers a variety of patterns that you may find useful or even better than the Kwik-Sew. This site is also an excellent resource and offers free patterns (these can be easily adapted for both male and female wearers). 
My inner 12-year-old can't get enough of this fabric
 Ok, so we have fabric and a pattern. Other things you'll need for this costumey undertaking are: 2 tape measures, fabric scissors, pins, needles, a zipper that matches your fabric (if you're making a catsuit or a bodysuit), and matching thread. The vast majority of stretchy fabrics are made of synthetic materials, so it's a good idea to pair up like sources and use synthetic/polyester thread. I like to add excel to this list, since there's a bit of math on the immediate horizon and, as someone who does math for a living, I find it immensely helpful to have a reliable way to keep track of all my calculations. Hey, I never said there'd be no math. Also, if you use excel for the next step you won't have to re-do any of the attending arithmetic unless the proportions of your body change significantly.

Where are you going? Was it the threat of math? Ok, what if there was a tool that would do all that for you? Fortunately, Tim over at Stretchy.org has fashioned this java-based, unit agnostic interface that will spit out customized ratios, circumferences and other necessary data points for you. Most modern patterns will also provide guidance as to what measurements you need to take and how to scale them so your fabric will stretch to the desired shape at the end. The single best part about working with stretchy fabric is how forgiving it is. If your calculations aren't perfect or you can't get a full set of measurements it's ok. Obviously you don't want to omit whole measurements, but there's a considerable amount of wiggle room at your disposal.

Take your measurements, then, after doing the necessary conversions (or using Tim's site to help with that), alter your pattern as needed. Unfortunately, these conversions are dependent on the type of fabric and specific pattern you're using, so I can't offer specific guidance on the exact steps you need to take. If you're using the very same pattern and fabric that I've specified above, I started by taking all the measurements Tim recommended, then scaling them to be 85% of what they actually are. That 85% figure came about by laying my t-square on the floor, then taking a foot (30.48cm) of my scaly fabric and stretching it to various lengths. I found that I liked the way the fabric looked when stretched to 13.75 inches (34.93cm) in length, which is just about 15% longer than my starting length. 15% stretch translated into the pattern needing to be 85% of its original size. Special note: many newer patterns will do this for you; make sure you read all the instructions that come with your pattern before proceeding to the next step.

Once your pattern is set, tack it to the unpatterned side of your fabric with your straight pins and cut the fabric to match. Before assembling the cloth panels, check the manual of your sewing machine, as many manufacturers have recommendations for what settings to use on stretchy fabrics. You'll almost certainly want to use a zigzag stitch (which makes the seams even more forgiving) and spiked or textured feeder 'dogs' (the little feet that feed cloth into the needle of your sewing machine).
What I've got so far (please excuse the cat hair)
 Be patient with yourself and remember that you don't have to be perfect with this project. If you'd rather not deal with any of this sewing business and just get a catsuit, there are plenty of places to purchase one. Milanoo.com is an excellent resource for good quality catsuits, unitards, and zentai for very reasonable prices. The site also offers custom tailoring for a nominal fee on some of their suits. One thing to keep in mind with Milanoo though is your desired timeframe, as it sometimes takes more than a month for them to process and ship your order. If you wanted to go a little higher end, there are several Etsy sellers that specialize in custom suits. AliciaZenobia is a particularly reliable and all-around excellent seamstress who takes individual commissions.

Oh yay! The event catalog should be out any minute now. Time to indulge in another type of excel mayhem!

Post Con Breakdown: This was, by far and away, the most comfortable costume I've ever done. The suit stayed in place all day, the crown did an excellent job of taming my otherwise unruly hair and the trident was a big hit. I will definitely wear this again!


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This Week in Geekdom



May the Fourth be with you all! It may not be the exact confluence of Star Wars Day and Free Comic Book Day that we saw last year, but having both in the same weekend is still pretty awesome. Bonus: today marks exactly 100 days until doors open at Gen Con 2014! After all the Star Wars related bruhaha of the past week, the  GIR and I are celebrating by spending some quality time with Episodes IV and V and, hopefully, a few rounds of X-Wing. This B-Wing expansion pack looks like a promising addition to our diminutive fleet. Are you celebrating today? Let us know how on the social media pages!


But ok, pause from the festivities so we can get down to the Week in Geekdom.

Science/Technology

In an amusingly thought out counterargument to the claims of poor gender balance in Episode VII, Max Gladstone offers this theory: that the characters in all six movies are not humans, but rather, are humanoid bees.

While some science-minded Star Wars fans have focused on the biology of the SW universe, others have been wrangling with the technological offerings. The latest publication of the student journal Special Physics Topics describes this research out of the University of Leicester that seems to prove that deflector shields could be a real application.

We have a new periodic element! Friday's edition of the journal Physics Review Letters contains the details of the German experiments that successfully produced element 117, ununseptium. Unobtainium was unavailable for comment.

From the very latest in isotopic decay to nuclear degradation that's been 2 billion years in the making. Here is the story of the discovery and study of the world's older nuclear reactor.

So close, and yet, so far. This stunning shot from the Cassini spacecraft provides a glimpse of the planet Uranus from inside the rings of Saturn.

Speaking of the outer portions of our solar system, we've talked a bit about the notion of other planets having conditions that could support life. Now, after a new series of modeling studies, the researchers at JPL believe that Jupiter's moon, Ganymede, may have a more accommodating makeup than previously believed.

SpaceX has gotten quite a bit of attention in the past few weeks (and rightfully so). Consequently, it's easy to overlook the other up-and-coming players in the private space transit market. Example: Orbital Sciences.

Photovoltaic cells have long been touted as a source of clean, renewable energy, but we can now add 'aesthetically pleasing' to their list of attributes thanks to the work of engineers at the University of Michigan. Those researchers, with a little help from their colleagues in macromolecular science, have created these 'stained glass' versions of solar cells.

Google is inching closer to making its autonomous cars a fully functional reality. Currently on the docket of skills to master: city driving.

On the subject of autonomous technology, Steven Hawking feels that we, as a society, are not taking the concept of artificial intelligence seriously enough.

Games

This is why we can't have nice things in Minecraft. Less than a week after a 1:1 scale model of the country of Denmark was released into the game itself, the model was, for lack of better terms, raided and razed by unfriendly forces. <Insert facepalms and the Team America theme here>

Feats of Nerdery

Three Chinese researchers have formulated this: the ultimate strategy for winning a game of Rock, Paper, Scissors.

Are you, or would you like to be, a crafter of fine home-brewed beers? The guys at Seattle startup Picobrew may have an appliance to help make your hoppy ambitions a reality.

There's wanting to preserve classic arcade games and then there's remodeling your parents house to become your own personal arcade. 

I leave you guys with this not very comprehensive, but still fun infographic comparing the titanic stature of various dragons. As always, best wishes for an excellent week ahead!
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Movies: The Dark Side of Episode VII?

Oh Disney, you sly mega-corporation you. Ok, let’s be real. If last week’s EU-busting…err…re-classifying announcement was any indication, Disney was rapidly climbing the scale of Not Even Remotely Sneaky and was not at all inclined to wait until a certain widely observed nerd holiday to stir up the masses with fresh insight into Star Wars: Episode VII. That in itself may be kind of telling, or at least falls in line with what seems to be the burgeoning new standard regarding the treatment of what, up until this point, had been canon. Or perhaps that observation is ascribing a little too much to what was likely a marketing tactic to preempt consumer expectations. We'll find out on Sunday.

Let’s back up a bit. By now, even the most muggly of news outlets has covered of Tuesday’s announcement, majority of which has consisted of nitpicking over the single photo depicting the primary cast doing an initial table read. The results of said parsing have largely been good old fashioned Internet Outrage and it seems the quarrels fall into three sometimes overlapping varieties:
  1. There are only two women! This is barely any improvement from the gender ratio presented in the original trilogy! This is an outrage and demeaning to women!
  2.  The EU is gone! J.J. Abrams is wasting a treasure trove of material that features <pick one or more of the following> better racial/gender character balance, robust storylines, compelling technologies/ideas, deep appreciation for canon, fewer lens flares. Bring back the EU!
  3.  This movie is already terrible and this new trilogy is going to destroy the Star Wars universe, or even science fiction as a genre, as we know it.
Good gravy. I’m not saying that all of these concerns are entirely without merit, but let’s remember that we’re talking about a project that is still 19.5 months out from its projected release date. You could finish an associate’s degree/accelerated Master’s program, train for a marathon, successfully gestate 2 human children, or travel to Mars in that period. It’s not an insignificant amount of time and it would stand to reason that what little information we’re being spoon fed at the moment is highly preliminary. It’s no secret that a very large number of people, myself included, are very emotionally and personally invested in the Star Wars universe, but if we continually give ourselves over to histrionics at every step during the next 19.5 months we run the risk of casting a pall over Episode VII so intense that it’ll be damned near impossible to actually enjoy the movie.
Image: Fan made poster 

Is there a marked differential between the quantity of male and female cast members? At this point time the answer is yes, but J.J. Abrams was quick to refute complaints stemming from this matter with his intention to cast at least one more female character with the implication that said actor will have a significant role (consensus seems to indicate that Academy Award winner Lupita Nyong’o will be this actor). This is how preliminary the data we’re working with are; major characters remain uncast. The rebuttal to that revelation seems to have been a lot of “Well one more woman isn’t enough!” Really? How on Earth could you know that the casting will stop with this unnamed character? Instead of framing ripostes as conditional, (e.g. “…it’d be disappointing if the gender ratio remained as it is at present…”) we get diatribes crafted in absolutes. Maybe it’s too much to ask that discourses on major media outlets be framed more like professional pieces of journalism and less like overt clickbait. We all know which one of those generates more revenue. Bah.

The EU is gone. Yes, there’s now the Legends alt-timeline, but we all know that step was taken in order to not obliterate the underlying meaning of the work of dozens of authors and simultaneously not send EU fans into a frothing rage. But let’s peel away any rose-colored glasses we may be wearing and give the EU a good hard look. How much of it was of reasonable quality? I ask this not as the cynical facilitator here, but as someone who has spent an inordinate amount of time in the EU. There are not insignificant chucks of my cerebral RAM that are dedicated to things like the Yuuzhan Vong War and the primogeniture of the Hapes Consortium. While some of it was fun to read and it was very interesting to watch the trajectory of the communal story arc, the EU landscape is canvassed with large tracts of mediocre prose. Am I sad that Mara Jade is likely to fade from nerdy consciousness? Yes. Is it also entirely understandable that J.J. Abrams and company have enough cultural weight to contend with just with the six previous films that they would want some measure of leeway to create their own story? Of course. Also, who’s to say that every single idea contained in the behemoth that is the EU will be entirely excluded from the new trilogy and attending spin off films?  Bonus: Chewbacca is still alive!

The third complaint is equal parts misgivings about the first two quibbles and a mismatch between personal expectations and the realities of crafting a big-budget movie. What this boils down to is active reinforcement of one of the most widely held stereotypes of our subculture: that we’re a collective of rabid obsessives incapable of being satisfied by anything. Yes, we’re quite adept at throwing apoplectic fits, but we’re not doing ourselves any favors by employing this as our initial engagement technique with this new branch of the franchise. The scale of the exposure that we, collectively, are getting at the moment is arguably unparalleled and this is the impression we’re providing in return. Consequently, if our first reaction is one of blanket dismissal at this absurdly early stage, then why would studio personnel want to incorporate our feedback at all? These paroxysms of unconstructive bile are liable to make Abrams & company turn away with an, “Eff it. We’ll make a truckload of money no matter what we do, so let’s just film whatever.” Our only goal for Episode VII can’t be hate-watching. If that ends up being true, the community we've built will be weaker for it.

It's understandable that we're excited, that we have expectations, and that we'd like to see at least some of those expectations met. But it's also very, very early. We need to rein it in and take the rumors and 'analysis' with more than a few grains of salt. For our sanity's sake, let's give J.J. and his minions a little breathing room and give ourselves something else to focus on (like Free Comic Book Day tomorrow!). Otherwise, we're going to be in for a very long, and likely very disappointing, 19.5 months.

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This Week in Geekdom

Hi guys and best wishes for a happy con to those of you attending C2E2 or Calgary Expo this weekend. Oh convention season; you seem to add more awesome to your ranks every successive year. But, for those of us not currently wandering a dealer hall, let's get down to the Week in Geekdom.

TV

Ever wonder how your favorite cartoons, specifically those with comic origins, make it to the small screen? Giancarlo Volpe, the man behind Green Lantern: the Animated Series, illustrated this response to that exact question. Warning: will make you hate focus groups at least a little more.
Image Credit: LucasFilm

Movies


Games

Game Boy turned 25 this past Monday. In celebration of the once highly-coveted handheld, here are 25 factoids about Nintendo's diminutive hardware phenomenon.

Ubisoft's upcoming sandbox action-adventure title Watch Dogs is slated for release exactly one month from today (for PC, PS3, PS4, Xbox 360 and Xbox One). In the run up to the debut, Ubisoft has crafted this interactive ad campaign that allows users to see just how easily targetable they are given the information they make publicly available on Facebook. It's definitely worth giving this a try, if only to see how much you may want to adjust your privacy settings.

Science/Technology

Speaking of Facebook, researchers are keen to study just about every possible way the site and other forms of social media impact the human psyche. While it'll likely be decades before any true correlations can be effectively parsed, we'll get to see the body-of-knowledge-building studies in the interim. Like these two studies out of the University of Colorado that seek to quantify and examine the impacts of being unfriended on Facebook.

Last July we chatted about the development of a transplantable bionic eye that would allow patients with various degenerative ocular disorders to see again. Meet Roger Pontz, one of the first individuals in the US to receive a bionic eye.

One week ago NASA announced the discovery of an exoplanet existing in what the scientific consensus believes to be the habitable zone around the planet's respective star. While this is certainly an important observation, the discovery has fostered fresh discussion about the feasibility of Earth being the sole incubator of life in the universe and if that lonely status is actually a good thing.

If we, as a species, wanted to venture forth into the stars and see for ourselves if we, in fact, have neighbors, we'll need craft that have considerably more range than our present offerings. This realization has been haunting the astrophysical community since at least the 1950s, but the ideas presented by these initial would-be endeavorsto deep space continue to shape galaxial travel to this day.

Image credit: NASA

The few months have borne witness to some amazing developments regarding the potential origin of both the known and unknown universe. As a result, we're now privy to some incredible discourse concerning the building blocks of life itself. Example: this excellent breakdown of the role hydrogen likely played in the immediate aftermath of the Big Bang and just where that element is now.

The FCC continues to wage its lobby war against the U.S. Federal Appeals Court in order to re-assert neutrality in the internet, but the provisions they are proposing would create a digital realm that was anything but neutral.

General Awesomeness

 On Wednesday, Shakespearean devotees around the world celebrated (what is believed to be) the Bard's 450th birthday. To commemorate the occasion, the Globe Theater has launched a world tour of Hamlet, during which the associated troupe will literally make all the world a stage by playing a show in every country on Earth. 

Check out this amazing X-Wing light fitting by British designer Benjamin Rice.

I leave you with this fan video reimagining the world of Harry Potter as an 80s cyberpunk adventure. As always, best wishes for an excellent week ahead!


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Geeky Crafting: Scalemailing

It’s difficult to believe sometimes, but we’re already closing in on 100 days to the doors opening at GenCon 2014. Squee! We’ve talked about it a couple of times before, but, due in no small part to our absence from the Best Four Days in Gaming last year, this year’s schedule for our visit to Indy is shaping up to be jam-packed. The cosplay docket is correspondingly full. It’s just tiptoeing on the line at which I have to remind myself you don’t have to do all the things this year; there will probably be other cons. This is what happens when I go a year without Gen Con.

While the docket itself is pretty much set at this point (active construction began on some of the costumes back in December), there are a handful of items pertaining to specific costumes that require an executive decision in the not-so-distant future. The primary quandary at present is honestly something I’ve never encountered in my costuming experience to date: do I deviate from established canon? Dun, dun, dun… I know, that seems like far too much gravitas for something that most people probably won’t notice, but my audience isn’t exactly one to overlook such deviations. I’m not sure why the question is arising with this costume as opposed to any of the others I’ve done, though I suspect it’s partially driven by an innate desire to use specific crafting techniques.

Maybe some clarification would help. The costume in question is that of Mera, Queen of Atlantis and one-time member of the Red Lantern Corps. My favorite comic arc of all time is Blackest Night and I’ve wanted to cosplay as Mera pretty much the instant I finished with the series. DC then, of course, went on to engage in a distinct pattern of repeatedly shooting itself in the feet. Sigh. Back to Mera though: she has a complicated history. Despite not occupying the upper eschelons of the DC pantheon and having her identity be inextricably tied to that of her husband, Mera is a fairly robust character. Fierce, conflicted, loyal, powerful and, at the same time, somewhat limited when compared to her superhero peers.

Mera’s base costume, whether as her normal self or as a Red Lantern, is a form-fitting bodysuit that features a scaled pattern. While this would normally be a great opportunity to delve into the challenges of working with stretchy fabric, part of me wants to go a bit off book. How? Well, my current idea is to create a tunic dress from hundreds of tiny aluminum scales. While the costume may end up veering back towards the canonical, this seemed like a good opportunity to write about the basics of making scalemail.


Before we dive into scalemail, I highly recommend that you read this earlier post about the basics of chainmail. While you don’t by any means need to be an expert in chainmail in order to begin scalemail, the post contains a lot of good tidbits about the materials, tools, and basic techniques used in both crafts.

The vast majority of available crafting scales are made of aluminum, though plastic scales appear to be gaining in popularity. Both of these tend to be offered in a wide variety of colors, patterns, and shapes. Scales of other light-but-sturdy metals, such as titanium or niobium, basic alloys, or precious metals are also out there for purchase, but tend to be considerably more expensive than their common siblings.

Which scales to get depends entirely on the end goal of your project. Are you making a piece of jewelry? A dice bag? A functional garment? As you can imagine, each of those projects would require a different number of scales and the scales themselves would need to take on a specific workload. For example, while a dice bag made of solid gold scales sounds epic, it wouldn’t come cheap nor would the soft gold lend itself well to bearing the weight of many dice. I tend to skew towards using aluminum if I plan on using more than a hundred scales, if the finished piece has to be a particular non-metallic color, or if the project has to be able to bear weight.

Aside from determining which materials to use, you’ll need to consider which size you need your scales to be. Most vendors offer a small (around 9/16” or 14.3mm) and a large size (around 7/8” or 22.2mm). Smaller scales are great for finite details or creating non-linear shapes, but it takes a large amount of them to cover a given surface area. Larger scales have better coverage (thus letting you finish a piece faster), but tend to present gaps when you try to coax them into the shape of a curve. Again, the end goal of your project will help you determine which size or blend of sizes to use.

Ok, so we have our scales. How do we attach them to one another? This is where our earlier chat about chainmail comes in handy. There are two major schools of scalemailing: weaving with jump rings and weaving with split rings. The actual weaving technique utilized doesn’t vary regardless of which type of ring you use. So why does the type of ring matter? It comes down to what you’d like the end result of your project to be. Split rings (think like the rings on your keychain, but smaller) lend your scale ‘fabric’ a lot of stability, but they can be tricky to work with. There are specialized pliers that are designed to work exclusively with split rings and are definitely worth the investment if you intend to make many large scalemail pieces or items that need to bear significant weight.

Jump rings, also sometimes called butted rings, are the same kind that you’d use for chainmail, so you can use the same types of pliers. While jump rings are easier to work with, the fact that there will always be a gap in their structure (no matter how tightly you align the sides) can cause problems if your project has to bear substantial weight. That being said, there are a handful of workarounds to add stability to a large or heavy project that would allow you to still use jump rings. For example, if I do decide to weave a tunic dress for the Mera costume, I can feed metal or plastic boning through the jump rings themselves to give the dress some structure, thus taking some of the pressure off of the rings.

Once you decide what type of rings to use, it’s a matter of choosing the right ring size for your project with the size of the scales you selected being the primary determinant. Most scale vendors will be able to recommend an appropriate ring size for your needs. If they don’t, parse through some pre-packaged scalemail kits that use scales of a similar size to those in your project to get an idea of what ring sizes work best.

Actually weaving with the scales is quite simple, arguably easier than chainmailing. The rest of this tutorial features a build with jump rings, but there’s really no procedural difference between using these and split rings.

This is the 'back' or concave side.
Step 1: Pick out a single scale to be your starting point (I tend to thread a bread tie through the hole of this first scale, as doing this makes it easier to handle my ‘fabric’ when it’s in progress). You’ll see that each scale has a ‘front’, or convex side, and a ‘back’, or a concave side. The vast majority of scalemailing involves doing all your weaving on the back, concave side. Put your scale on your work surface so the 'back' is facing you and the 'front' is facing the surface.

Step 2: Open one ring, then thread it through the hole of the first scale so the ring drapes off to one side (doesn't matter which side). The open ends of the ring should point away from the hole in the scale with one half resting against the interior of the scale near the center line and the other half leaning outside the scale itself and onto your work surface.

Step 3: Take another scale and, with the convex 'front' facing you, (so the concave 'back' should be facing the concave 'back' of your first scale) thread the new scale onto the open ring using the portion of the ring that rests outside the scale and on your work surface. As you thread, the curvature of the ring will cause the scale to flip over, so both scales are now lying on your work surface with their concave sides facing up towards you. Close the ring with your pliers, then repeat steps 2 and 3 with the other side of the first scale. You should end up with a little triangle like this:


Step 4: Repeat steps 2 and 3 once on each of the outsides of the two new scales. You should now have five scales joined by four rings.

Add scales to the open rings here and you've finished step 4.
Step 5: Go back to the row of two scales from steps 2 and 3. Open two more rings, then thread one open ring into each of the holes in these scales beginning from the inside edge of the hole (the side closest to the center line of the very first scale). Take another scale and, one at a time, feed the open ends of the rings closest to the center line of the scale from step 1 through the hole of this newest scale. Close each of the open rings. You now have six scales joined by six rings.

The 'fabric' will increase by one scale with each successive row. So, for our sample above, we have three rows: one with one scale, the next with two, the third with three. The next row would feature four scales: two on the outside edges that would need to be attached with steps 2 and 3, and two on the inside that would require step 5. You'd repeat this process until you got the scales to cover the surface area needed for your project.

A good check to ensure your scales are secure is to count the rings going through them. Scales on the outside of your mail can have up to three rings passing through them while scales on the inside of your weave must have at least four support rings. Exception: unless you're building an expansion row to create a curved allowance in your mail. Conversely, an inside ring can have more than four support rings if you're building a contraction row to form a different type of curvature, but creating curves will have to be for the next scalemail post.

Update: Several messages have come in asking if it's possible to weave in a line rather than building a triangle. Definitely! Let's look at the quick example below:

 
To weave laterally or vertically, start with step one (though you can skip the bread tie this time), then only do steps 2 and 3 once. You should end up with half of the triangle from the step 3 picture above. Instead of finishing the triangle, weave a new scale to the side of your second scale, then tuck this new scale so it lies beneath the second scale. You should be left with three scales attached via two rings: two scales lying with their convex sides resting on your work surface and one scale with its convex side resting on the concave sides of the other two scales. If you're trying to work vertically, attach the third scale to the first scale directly above the second scale. You'll be left with the beginnings of a zigzag pattern that will eventually form a line as you continue weaving. The same structural checks (i.e. the number of rings going through each scale) apply regardless of the shape of your weave.

Best of luck with your scalemail experiments!
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This Week in Geekdom


Hi everyone and a happy con to those who are attending WonderCon this weekend! Normally the week or so immediately following a convention would be set aside for recovery, note-taking, and generally enjoying the bittersweet mélange of feels that tends to ensue. That's just not happening this year. As of this moment there are only 114 days until doors open at Gen Con 2014 and there are at least 3 costumes on the docket for the trip out to Indy. Construction on these is well underway and there will be associated posts up soon. In the meantime, let's get down to the Week in Geekdom.

TV

DC Comics continues to try and make a mark in network television by licensing its long-running crime noir series Scalped to WGN America. The show is in the early stages of development, but is said to be progressing quickly. WGN America did not proffer a forecasted release date.

Games

Ars Technica put together this interesting study about consumer traffic on Steam. The endeavor, titled Steam Gauge, takes pains to break down just what Steam users are buying and comparing those titles to those which are actually being played. 

Science/Technology

It was a blockbuster week for astronomy afficionados. First, a good chuck of the planet was treated to a full lunar eclipse. Then, almost concurrently, the latest issue of the journal Icarus listed these findings from the Cassini-Huygens probe confirming that Saturn is on the cusp of producing a new moon. 

This morning our favorite potential agent of global domination Elon Musk inched closer to making privatized space travel a fully viable entity by successfully docking SpaceX's Dragon capsule with the International Space Station. Want more future-of-space-travel goodness? Check out this video of the fully vertical takeoff and landing of SpaceX's Falcon rocket:


14 years ago Honda debuted its diminuitive humanoid robot ASIMO. This week, at the International Auto Show in New York, attendees got to see the new, improved ASIMO in action. 

Pistachios: yummy snack or source of biofuel. Urban planners in the Turkish region of Gaziantep ask: Why not both? 

General Awesomeness


The above brilliant image of the cast of Firefly receiving the animated Disney treatment rapidly made its way around the interwebs this week. But where did this embodiment of wishful thinking come from? It's the work of artist Stephen Byrne, who had this to say about his incredibly popular creation.

Do you want to attend Hogwarts? How about doing so from the comfort of your own home? Well, this is now entirely possible thanks to the school's new online offering. 

As always, best wishes for an excellent week ahead!
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